Canon RF 50mm f1.8 Prime Lens
Kit Includes:
- Canon RF 50mm f1.8 STM
- Hard Case
Compact, lightweight, and close-focusing, the Canon RF 50mm f/1.8 STM is a sleek normal-length prime offering a classic, versatile field of view and an especially compact design. An ideal lens for every day, walkaround shooting, this 50mm f/1.8 is characterized by its bright design for available light shooting and apt depth of field control. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
Normal-length prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras.
Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field.
One precision-molded (PMo) aspherical element suppresses spherical aberrations and distortion for high sharpness and accurate subject rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
Quantity Available: 1
24 Hour Rate: $55
Weekend Rate: $99
Weekly Rate: $220
Images
Canon Mount Adapter EF - EOS R
Includes:
- EF – R Mount Lens Adapter
- Soft Bag or Case
Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
Quantity Available: 1
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Images
Canon EF 8-15mm f4.0L Fisheye Zoom
Item Specifics
The EF 8-15mm f/4L Fisheye Lens is an L-type fisheye zoom lens that goes further by being the world’s first real fisheye zoom lens that functions as a circular fisheye and full-frame fisheye for full size, and as a full-frame fisheye for APS-C/H sizes. Coupled with excellent dust and waterproofing characteristics with high durability and quality makes this an ultra-high performance fisheye zoom lens.
Equisolid angle projection fisheye zoom lens Newly designed 2 group zoom optical system Achieves a fisheye lens with three differing imaging elements. Full size: circular fisheye to full-frame fisheye; APS-C & APS-H: full-frame fisheye to ultra-wide (with distortion aberration) Uses a UD lens and an aspheric lens to ensure high-quality images with the highest levels of image resolution Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions. Manual focusing enabled even during AF mode (full-time mechanical manual focus).
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
Images
Canon EF 14mm f2.8L Mk II Prime
Specifics
The exacting professional’s ultra wide-angle lens, the EF 14mm f/2.8L II USM uses UD and aspherical elements for paramount image quality. A maximum f/2.8 aperture ensures great low light performance.
A special perspective
Covering a breathtaking 114° field of view, the EF 14mm f/2.8L II USM goes beyond human perspective. Ideal for capturing small interiors, large subjects at close distances or dramatic landscapes, this highly expressive lens can also be used to create a strong sense of separation between close subjects and background.
L-series construction
Like all L-series lenses, the EF 14mm f/2.8L II USM combines precision optics with unsurpassed build quality, reliability and ease of use. Dust and moisture seals offer advanced protection from the elements, even in harsh weather conditions.
Large f/2.8 aperture
A maximum aperture of f/2.8 allows for fast, flash-free shooting in low light settings, plus good depth of field control.
Aspherical and UD elements
For optimum visual performance, the lens incorporates two types of special elements: aspherical elements to correct spherical aberrations, and Super UD (ultra-low dispersion) elements to eliminate secondary chromatic aberrations. The result is crisp, high contrast and undistorted image quality all the way to the frame peripheries.
Ring USM auto focus with manual override
Canon’s ring USM auto focus system employs ultra-sonic frequency vibrations for fast, accurate and virtually silent operation with excellent holding torque. Full-time manual focus override, via a large ring that does not rotate during auto focus, allows photographers to begin fine-tuning a shot instantly.
Super Spectra coating
Super Spectra coatings help ensure accurate colour balance and high contrast, and suppress flare and ghosting by absorbing light that might be reflected off internal lens elements and digital EOS sensors.
Circular aperture
A circular aperture delivers smooth, even-looking bokeh (background blur) – ideal for isolating subjects at large aperture, or compelling portraiture.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
Images
Canon EF Holy Trinity Zoom 3x Lens Set
The holy trinity of Canon Zooms now in one convenient package!
This kit includes the Canon EF 16-35mm f4L, Canon 24-70mm f2.8L and the 70-200mm f2.8L lenses.
If this kit should cover almost any shooting scenario from wide angle landscapes through to portraiture and sports.
Canon 16-35mm
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Ultra-Low Dispersion Elements
- Three Aspherical Elements
- Super Spectra and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery. Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast. Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.
Complementing the imaging capabilities, this wide-angle zoom also features a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Wide-angle zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 25.6-56mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds.
A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Canon 24-70mm f2.8
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.
One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use.
Canon EF 70-200mm f2.8L
One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques.
One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 3.5 shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. In addition to the single-shot standard IS mode, a second mode is also available that it optimized for panning.
A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\’-infinity or 8.2\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\’-infinity.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.
Compatible with optional EF 1.4X and EF 2X teleconverters.
Quantity Available: 1
24 Hour Rate: $198
Weekend Rate: $341
Weekly Rate: $792
Images
Canon EF 16-35mm f4L IS Zoom
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Ultra-Low Dispersion Elements
- Three Aspherical Elements
- Super Spectra and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery. Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast. Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.
Complementing the imaging capabilities, this wide-angle zoom also features a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Wide-angle zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 25.6-56mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds.
A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Quantity Available: 1
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
Images
Canon EF 24-70 f2.8L Mk II Zoom
The newly developed and released EF24-70mm f/2.8L II USM is the further evolution of the EF24-70mm f/2.8L USM, which has served as a leading standard zoom lens with professionals.
The lens delivers higher image quality and enables us ers to capture images with greater presence and three-dimensionality. It offers great shooting flexibility in the digital age and can even be used as a wide-angle prime.
High Image Quality
- Employing three aspherical lens elements, one super UD lens element, and two UD lens elements, the lens achieves ‘‘super’’ high image quality in the entire zoom range and entire image area
- Newly-designed four-group zoom and inner focus system
- Coating optimization reduces ghosting while also achieving an optimal color balance
Durability & Reliability
- High durability and reliability allow the lens to withstand frequent use, making it well-suited for professionals in the digital camera age
- Dust-Proof/Drip-Proof performance allows for shooting under harsh conditions
- Fluorine coating is applied to the front and back lens surfaces that come in contact with the air
Improved Usability
- Achieved a smaller, lighter design despite its large-diameter lens classification
- High-grade external design, expected of L-Series, created with a focus on usability
- Equipped with a zoom ring lock level which prevents inadvertent activation
Focal Length & Max Aperture:
24-70mm 1:2.8
Picture Size:
35mm Full Size
Filter Diameter:
82mm
Lens Construction:
18 elements in 13 groups
Minimum Aperture:
f/22
Closest Focusing Distance:
0.38m
Focus Drive:
Ring USM
Dimensions:
88.5mm x 113.0mm
Weight:
805g
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
Images
Canon EF 50mm f1.8 Prime Lens
One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimise flare and ghosting to realise greater contrast and colour accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realise quick and near-silent autofocus performance along with full-time manual focus override.
Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length.
Bright f/1.8 maximum aperture enables control over depth of field for selective focus applications and also benefits working in low-light situations.
Super Spectra coating has been applied to individual elements to minimise ghosting and flare for greater contrast and colour neutrality when working in strong lighting conditions.
An STM stepping AF motor realises smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available.
Redeveloped physical design incorporates a metal lens mount for durability as well as a re-located focusing ring to maintain a compact form factor.
Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Canon EF 70-200 f2.8L IS Mk II Zoom
Specifics
The lens delivers higher image quality and enables users to capture images with greater presence and three-dimensionality. It offers great shooting flexibility in the digital age and can even be used as a wide-angle prime.
High Image Quality
Employing three aspherical lens elements, one super UD lens element, and two UD lens elements, the lens achieves “super” high image quality in the entire zoom range and entire image area
Newly-designed four-group zoom and inner focus system
Coating optimization reduces ghosting while also achieving an optimal color balance
Durability and Reliability
High durability and reliability allow the lens to withstand frequent use, making it well-suited for professionals in the digital camera age.
Dust-Proof/Drip-Proof performance allows for shooting under harsh conditions
Fluorine coating is applied to the front and back lens surfaces that come in contact with the air
Improved Usabiilty
Achieved a smaller, lighter design despite its large-diameter lens classification
High-grade external design, expected of LSeries, created with a focus on usability
Equipped with a zoom ring lock level which prevents inadvertent activation
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
Images
Canon EF 70-200 f2.8L IS Mk III Zoom
Optical Features/Specifications
Angle of view (horzntl, vertl, diagnl) – 29°-10°, 19°30’-7°, 34°-12°
Lens construction (elements/groups) – 23/19
No. of diaphragm blades – 8
Minimum aperture – 32
Closest focussing distance (m) – 1.2
Maximum magnification (x) – 0.21 (tele)
Distance Information – Yes
AF actuator – Ring USM1
Physical Specifications
Dust/moisture resistance – Yes2
Filter diameter (mm) – 77
Max. diameter x length (mm) – 88.8 x 199
Weight (g) – 1480
Accessories
Lens cap – E-77II
Lens hood – ET-87
Lens case/pouch – LZ1326
Rear cap- Lens Dust Cap E
Magnification with Extension Tube EF12 II – 0.23-0.28
Magnification with Extension Tube EF25 II – 0.36-0.42
Extender Compatibility – Yes
1 Full time Manual focus
2 Lenses with dust/moisture resistance are fitted with a rubber ring on the lens mount which may cause slight abrasion of the camera mount. This in no way effects either the lens or camera performance.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $88
Weekend Rate: $154
Weekly Rate: $352
Images
Canon EF 28-80mm f3.5-5.6 IV USM
This compact, lightweight standard zoom lens replaces the EF28-80mm f/3.5-5.6 III USM. Offering such features as micro USM (ultrasonic motor)-driven autofocus, the model retains essentially the same mechanical structure as its predecessor, but incorporates a new optical system design that employs only lead-free glass.
This lens comes paired with our Canon 1000F-N film camera bodies.
Quantity Available: 1
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Images
Canon EF 2X Extender Mk III
Specifics
The EF 2.0x III serves as the perfect accessory to Canon EF Lenses allowing you to get even closer to the action capturing that perfect shot.
Focal Length Extension for Super-Telephoto Lenses
Designed to work in conjunction with L-series IS super-telephoto lenses.
Improved Communication Between Lens and Camera
A built in microprocessor provides accurate transfer of data from the lens and camera.
Compatible with L-Series Telephoto and Telephoto Zoom Lenses
Compatible with most telephoto/telephoto zoom lenses within Canon’s L-series range.
Key Features
Picture Size 35mm Full size
Lens Construction 9 elements in 5 groups
Front Mount Canon EF Mount (11 contacts)
Rear Mount Canon EF Mount (7 contacts)
Dimensions 72.0 x 52.7mm
Weight 325g
Optical performance offering high image quality.
Dustproof and Waterproof (JIS2 equivalent)
New lens materials reducing ghosting and lens flare
Built in microcomputer enabling communication between lens,
extender and camera
High AF accuracy
Compatibility
Only compatible with fixed focal length L-Series lenses 135mm and over, as well as the 70-200 2.8L, 70-200 2.8L IS, 70-400 F4L, 70-400 4.5-5.6L. Compatibility also depends on the above lenses and the combination with a D-SLR body type.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Nikon NIKKOR Z 24-70mm f/2.8 S Lens
Nikon NIKKOR Z 24-70mm f/2.8 S Lens
Key Features
- Z-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Two ED and Four Aspherical Elements
- ARNEO and Nano Crystal Coatings
- Multi-Focus Stepping Motor AF System
- Programmable Control Ring
- Information OLED Panel and L.Fn Button
- Weather-Sealed Design, Fluorine Coating
- Rounded 9-Blade Diaphragm
Bright and versatile, the NIKKOR Z 24-70mm f/2.8 S from Nikon is a workhorse standard zoom, covering wide-angle to portrait-length fields of view. Characterized by its bright f/2.8 constant maximum aperture, this lens is suitable for working in a variety of lighting conditions and also offers increased control over depth of field for isolating subjects and working with selective focus. The optical design incorporates a pair of extra-low dispersion elements along with four aspherical elements, which help to control chromatic and spherical aberrations throughout the zoom range for improved clarity and sharpness. Additionally, ARNEO and Nano Crystal Coats, as well as a Super Integrated Coating, have been applied to suppress flare, ghosting, and surface reflections for improved contrast and color fidelity.
Complementing the optical design, a multi-focus system, which employs two stepping motors, helps to realize impressively fast, accurate, and quiet focus performance, along with full-time manual focus override, to suit both stills and video needs. The lens also has a unique physical design, which incorporates a top OLED information panel that can be used to quickly confirm aperture and focus settings, and an assignable L.Fn button permits making exposure and settings adjustments via the lens. Additionally, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.
Standard zoom covers a wide-angle to portrait-length range and is designed for FX-format Z-mount mirrorless cameras.
Constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also benefits working in difficult lighting conditions and using selective focus techniques.
Four aspherical elements are used to reduce spherical aberrations and distortion in order to realize sharp imagery with accurate rendering.
Two extra-low dispersion elements greatly reduce color fringing and chromatic aberrations throughout the zoom range in order to produce greater clarity and color rendering.
ARNEO and Nano Crystal Coats are used to prevent ghosting, reflections, and flare in order to realize improved contrast and clarity when working in strong lighting and backlit conditions. The Nano Crystal Coat controls incidental light from a diagonal direction while the ARNEO Coat controls incidental light from a vertical direction. A Super Integrated Coating is also featured on multiple elements to help ensure consistently accurate colors.
Multi-focus system incorporates two separate AF drive units, which are synchronized, to deliver especially fast and accurate focusing throughout the zoom range. This system uses stepping motors, which offer impressively smooth and quiet autofocus performance that is well-suited to both stills and video applications. Full-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Programmable Control Ring is, by default, set to adjust manual focus, but can also be used to control aperture or exposure compensation.
Integrated OLED lens information panel allows you to quickly confirm aperture setting, focus distance, and depth of field figures right on the lens in both bright and dark situations.
Assignable L.Fn button works in conjunction with camera based Fn buttons to provide a seamless point for quickly changing exposure settings and other functions.
Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
Rounded nine-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Dust- and moisture-resistant lens barrel benefits the lens\\\\’ use in inclement conditions.
Quantity Available: 1
24 Hour Rate: $88
Weekend Rate: $154
Weekly Rate: $352
Images
Rokinon Prime 3 Lens Kit (Nikon G or Canon EF)
Our Rokinon prime lens set is the perfect budget friendly solution for film, television and media productions such as independent films. They cover the majority of the most commonly used focal lengths.
The kit includes 3 lenses:
- Rokinon 24mm CINE T1.5
- Rokinon 50mm CINE T1.5
- Rokinon 85mm CINE T1.5
These lenses are fully manual lenses and come available in either Nikon G or Canon EF mounts (via an adapter).
These lenses come in their very own Pelican style hard case, 77mm filter thread and UV filters.
Quantity Available: 1
24 Hour Rate: $99
Weekend Rate: $176
Weekly Rate: $396
Images
Rokinon Prime 6 Lens Kit (Nikon G or Canon EF)
Our Rokinon prime lens set is the perfect budget friendly solution for film, television and media productions such as independent films. They cover the majority of the most commonly used focal lengths.
The kit includes 6 lenses:
- Rokinon 16mm CINE T2.6
- Rokinon 24mm CINE T1.5
- Rokinon 35mm CINE T1.5
- Rokinon 50mm CINE T1.5
- Rokinon 85mm CINE T1.5
- Rokinon 135mm CINE T2.2
These lenses are fully manual lenses and come available in either Nikon G or Canon EF mounts (via an adapter).
These lenses come in their very own Pelican style hard case, 77mm filter thread and UV filters.
Quantity Available: 1
24 Hour Rate: $198
Weekend Rate: $352
Weekly Rate: $792
Images
Samyang 14mm f2.8 Prime (Nikon G or Canon EF)
14mm f2.8 SAMYANG PRIME LENS – De-clicked Aperture in Nikon G or Canon EF (via adapter)
Excellent condition, no fungus, scratches or blemishes on the glass.
This lens has has had its aperture de-clicked for video work. Feel free to book an inspection today!
PRODUCT OVERVIEW
The Samyang 14mm f/2.8 is a wide-angle prime lens that’s designed specifically for use on Nikon full-frame cameras, but it can also serve as a 21mm-equivalent lens when used on a Nikon APS-C (i.e. DX) camera. he optical design incorporates a pair of aspherical elements and three high refractive index (HR) elements, which control spherical aberrations and distortion. Additionally, two extra-low dispersion elements are used to reduce color fringing and chromatic aberration for improved clarity and color accuracy. An Ultra Multi-Coating has also been applied to limit flare and ghosting for improved contrast and color rendering in strong lighting conditions. This manual focus prime has an 11″ minimum focusing distance and also features a built-in petal-shaped lens hood to guard against flare and protect the front element.
SPECIFICATIONS
- Focal Length: 14 mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- Camera mount type: Nikon F
- Format compatibility: Nikon FX/35mm Film
- Angle of view:7 degrees
- Minimum focus distance:02”/28 cm
- Optical design: 14 elements in 10 groups
- Filter thread: None
- Dimension (DxL):43 x 3.79″ / 87 x 96.3 mm
- Weight:17 lb / 530 g
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 16mm T2.2 Lens (Nikon G or Canon EF)
The Rokinon 16mm T2.2 Cine Lens for Nikon F is a wide-angle lens optimized for digital cinematography. The lens produces an image circle that will cover APS-C sized sensors or smaller. The focus and aperture rings feature industry-standard 0.8 pitch gearing for attaching a follow focus unit. The aperture ring is also de-clicked to allow for smooth iris pulls while shooting. Focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers, who typically operates on the side of the camera.
The 16mm T2.2 lens is constructed out of 13 individual elements in 11 groups, including one aspherical and one hybrid aspherical element. Aspherical elements help minimize unwanted distortion and chromatic aberrations. The lens also has a multi-layer coating to reduce flares and maintain image contrast in bright conditions.
With an angle of view of 83.1°, the lens is well-suited for shooting landscapes, architecture, and for use in tight interior locations. A maximum aperture of T2.2 means that the lens is effective in low-light shooting and can produce a shallow depth of field when the lens is closer to the subject. The lens has a minimum focus distance of 7.87 inches. A bayonet-mount lens hood and lens pouch come included with the lens.
- 16mm lens with 83.1° angle-of-view
- Image Circle covers APS-C sized sensors
- Industry Standard 0.8 pitch gearing on Focus and Iris rings
- De-clicked aperture for smooth focus pulls
- 13 elements in 11 groups with an aspherical and a hybrid aspherical lens element
- Ultra Multi Coating on lens minimizes flares and ghosting
- Depth of Field markings on side of the lens
- A minimum focusing distance of 7.87 inches
- Includes bayonet mount lens hood
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 24mm T1.5 Lens (Nikon G or Canon EF)
PRODUCT OVERVIEW
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
SPECIFICATIONS
1. Focal Length: 24 mm
2. Lens Mount: Nikon F (or Canon EF via adapter)
3. Format: Full Frame
4. Maximum T-Stop: T 1.5
5. Minimum T-Stop: T22
6. Diagonal Angle of view: Super 35: 61.8 degrees; Full frame: 84.1 degrees
7. Minimum focus distance from image plane: 9.8”/25 cm
8. Optical design: 13 elements in 12 groups
9. Iris blades: 8
10. Dimensions: 3.27 x 3.27″ / 83.1 x 83.1 mm
11. Length: 3.66″ / 95 mm
12. Weight: 21.2 oz / 600.0 g
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 35mm T1.5 Lens (Nikon G or Canon EF)
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12\\” from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don\\’t have to be re-positioned.
\\”Declicked\\” aperture ring for smooth iris pulls.
A minimum focusing distance of 12\\” allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 50mm T1.5 Lens (Nikon G or Canon EF)
The 50mm T1.5 AS UMC Cine DS Lens for Nikon F Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
The 50mm has a minimum focus distance of 1.5′. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.
With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won’t need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.
- Standard length manual focus prime lens for F mount cameras.
- Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.
- Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.
- Internal focusing system with 9 lens elements in 6 groups.
- One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
- Lens multi-coating improves light transmission and reduces flare and ghosting.
- Minimum focus distance of 1.5′
- Filter thread diameter of 77mm
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 85mm T1.5 Lens (Nikon G or Canon EF)
PRODUCT OVERVIEW
The Rokinon 85mm T1.5 Cine Lens for Nikon F produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been declicked, which facilitates smooth iris pulls.
SPECIFICATIONS
1. Focal Length: 85 mm
2. Lens Mount: Nikon F
3. Format: Full Frame
4. Maximum T-Stop: T 1.5
5. Minimum T-Stop: T22
6. Diagonal Angle of view: Super 35: 19.1 degrees; Full frame: 28.3 degrees
7. Optical design: 9 elements in 7 groups
8. Iris blades: 8
9. Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch and Iris: 0.8 MOD / 32 Pitch
10. Filter thread: 72 mm
11. Dimensions: 3.07 x 3.07″ / 78 x 78 mm
12. Length: 2.94″ / 7.47 cm
13. Weight: 19.8 oz / 560.0 g
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Rokinon 135mm T2.2 Lens (Nikon G or Canon EF)
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 135mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Nikon F Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 135mm lens produces an 18.8° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 2.6 feet from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens threaded front accepts 77mm filter rings.
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors dont have to be re-positioned.
Declicked aperture ring for smooth iris pulls.
A removable lens hood provides flare protection without a matte box.
The lens opens up to T2.2, providing the capability for low light shooting or creating extremely shallow depth of field.
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Sigma 18-35mm f1.8 APSC Lens (Nikon Mount)
Sigma 18-35mm f1.8 Art Series
PRODUCT DESCRIPTION
The Nikon F-mount Sigma 18-35mm f/1.8 DC HSM Art Lens is a wide-angle to normal-length zoom that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
SPECIFICATIONS
Performance
Focal Length: 18 – 35mm Comparable 35mm Focal Length: 27 – 52.5 mm
Aperture: Maximum: f/1.8 – Minimum: f/16
Camera Mount Type: Nikon F
Format Compatibility: Nikon DX
Angle of View: 76.5° – 44.2°
Minimum Focus Distance: 11″ / 27.94 cm
Maximum Reproduction Ratio: 1:4
Optical Design: 17 Elements in 12 Groups
Diaphragm Blades: 9
Features
Image Stabilization: No
Autofocus: Yes
Physical
Filter Thread: Front: 72 mm
Dimensions (DxL): 3.07 x 4.76″ / 78 x 121 mm
Weight: 1.78 lb / 811 g
Quantity Available: 1
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
Images
Sigma 150-600mm f5-6.3 (Nikon G Mount)
Offering an impressively versatile range with a portable form factor, the Nikon F-mount 150-600mm f/5-6.3 DG OS HSM from Sigma is a Contemporary-series telephoto zoom characterised by its sophisticated optics and flexible handling. One FLD element and three SLD elements are used to reduce colour fringing and chromatic aberrations throughout the zoom range and a Super Multi-Coating also helps to suppress flare and ghosting for improved contrast and colour accuracy when working in strong lighting conditions.
Balancing the optical design, this lens also features a Hyper Sonic Motor, which provides especially fast and quiet autofocus performance as well as full-time manual focus override. An Optical Stabiliser also works to minimise the appearance of camera shake for sharper handheld shooting. Additionally, a removable, rotating tripod collar is included to suit working atop a tripod or monopod.
As part of the Contemporary line within Sigmas Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.
Telephoto zoom is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 225-900mm equivalent focal length range. It is also compatible with the Nikon D5000.
One F Low Dispersion (FLD) and three Special Low Dispersion (SLD) elements are featured in the optical design and help to reduce colour fringing and chromatic aberrations for improved clarity and colour accuracy.
A Super Multi-Layer Coating has been applied to lens elements in order to minimise lens flare and ghosting and contribute to producing contrast-rich and colour-neutral imagery, even in backlit conditions.
Integrated HSM (Hyper Sonic Motor), along with a rear focus system, realises quick and quiet autofocus, which is further complemented by an optimised AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
Optical Stabiliser system minimises the appearance of camera shake to benefit making sharper imagery when shooting handheld.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Dust- and splash-resistant design suits this lens use in inclement weather conditions and a water- and oil-repellent coating has also been applied to the front element to aid in cleaning.
Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.
Zoom lock switch can be activated at any focal length to prevent accidental and unwanted zoom adjustment.
Compatible with optional Sigma TC-1401 1.4x and TC-2001 2x teleconverters.
A removable, rotating tripod collar offers well-balanced support for photographing atop a tripod or monopod with either vertical or horizontal shooting orientations.
This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.
Quantity Available: 1
24 Hour Rate: $88
Weekend Rate: $154
Weekly Rate: $352
Images
Tokina 11-16mm SD f2.8 APSC Lens (Nikon mount)
PRODUCT DESCRIPTION
The AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon EF by Tokina is an ultra-wide angle autofocus zoom lens with a fast constant f/2.8 maximum aperture. The AT-X 116 PRO DX-II lens is designed for digital cameras with APS-C-size CMOS or CCD sensors. Its angle of view ranges from 104-84° and it can focus as close as 11.8″. Nine diaphragm blades help to produce soft out-of-focus backgrounds while two Super-Low Dispersion glass elements and two aspheric elements help to achieve excellent contrast, sharpness and minimal chromatic aberration. As an update to their AT-X 116 PRO DX, Tokina has improved the multi-layer coatings to minimize light reflection and improve optical performance. The PRO DX-II has an internal focusing motor which is ideal if shooting video with your digital camera.
SPECIFICATIONS
Performance
Focal Length: 11 – 16mm
Comparable APS-C 1.6x Focal Length: 17.6 – 25.6 mm
Aperture: Maximum: f/2.8/ Minimum: f/22
Camera Mount Type: Canon EF-S
Format Compatibility: Canon (APS-C)
Angle of View: 104° – 84°
Minimum Focus Distance: 11.81″ / 30 cm
Maximum Reproduction Ratio: 1:12
Optical Design: 13 Elements in 11 Groups
Diaphragm Blades: 9
Features
Image Stabilization: No
Autofocus: Yes
Physical
Filter Thread: Front: 77 mm
Dimensions (DxL): 3.31 x 3.51″ / 84 x 89.2 mm
Weight: 1.21 lb / 550 g
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
SLR Magic 25mm f0.95 Prime (MFT mount)
SLR Magic Hyperprime Cine 25mm f0.95 Prime Lens (M4/3 Mount)
Make: SLR Magic
Model: Hyperprime Cine 25mm f0.95
PRODUCT OVERVIEW
The SLR Magic 25mm T0.95 HyperPrime Cine III Lens is an exceptionally fast normal focal length lens for Micro Four Thirds cameras (50mm full-frame equivalent). The fast T0.95 maximum aperture lets you capture images with a shallow depth of field, while also benefiting low-light filming. Designed to support a cine-style workflow, the lens features a clickless iris for smooth iris pulls and cine-standard geared focus and aperture rings. Compared to the 49mm front filter threads found on the Cine II version, the Cine III lens features 52mm front filter threading for attaching filters or other optional accessories, such as the SLR Magic Anamorphot adapter and Achromatic Diopters. An optional lens support is recommended when using the Anamorphot, especially when using diopters.
SPECS
- Focal Length: 25 mm
- Lens Mount: Micro Four Thirds
- Format: MFT
- Maximum T-Stop:95
- Minimum T-Stop: T16
- Minimum focus distance from image plane:2″ / 26 cm
- Optical design: 11 elements in 9 groups
- Iris blades: 12
- Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch and Iris: 0.8 MOD / 32 Pitch
- Filter thread: 52 mm
- Length: 3”/7.6 cm
- Weight:0 lb/0.5 kg
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Panasonic 14-42mm f3.5-5.6 (MFT mount)
PRODUCT DESCRIPTION
• Micro Four Thirds Lens Mount
• 35mm Equivalent to 28-84mm
• 52mm Filter Size
• Continuous AF / AE Functionality
• MEGA O.I.S (Optical Image Stabilizer)
SPECIFICATION
• Lens Construction: 12 elements in 9 groups (1 Aspherical lens)
• Mount: Micro Four Thirds mount
• Optical Image Stabilizer: Yes
• Focal Length: f=14mm to 42mm (35mm camera equivalent 28mm to 84mm)
• Aperture Type: 7 diaphragm blades / Circular aperture diaphragm
• Aperture Range: F3.5(Wide) – F5.6(Tele)
• Minimum Aperture: F22
• Closest Focusing Distance: 0.30m / 1ft at all focal lengths
• Maximum Magnification: Approx. 0.16x / 0.32x (35mm camera equivalent)
• Diagonal Angle of View: 75°(W) ˜ 29°(T)
• Filter Size: φ52mm / 2.05 in
• Max. Diameter: φ60.7mm / 2.39in
• Standard Accessory: Lens Cap, Lens Rear Cap, Lens Storage Bag
• Overall Length (inches): Approx. 63.6mm / 2.50 inch (from the tip of the lens to the base side of the lens mount)
• Recommended Humidity: 40%RH to 60%RH
• Weight: Approx. 165g / 5.82oz
• Dimensions (H x W x D): 4.84” x 4.03” x 4.03”
Quantity Available: 1
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Images
Metabones Speedbooster (Canon EOS – MFT)
PRODUCT DESCRIPTION
Metabones Speedbooster Ultrax0.71 (Canon EOS – MFT Mount)
The new Speed Booster ULTRA m43 uses an advanced 5-element 4-group optical design incorporating ultra-high index tantalum-based optical glass. However, the new design is specifically optimized for the Micro Four Thirds sensor and filter stack, and as a result achieves an astonishing level of performance that sets a new standard for focal reducers.
SPECIFICATIONS
Optical
• Increase maximum aperture by 1 stop
• Increase MTF of any lens attached
• Makes lens 0.71x wider
• Patented 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass by Caldwell Photographic in the USA
Electronic
• Auto focus on Panasonic Mirco Four Thirds cameras
• Can be powered either by camera body or by third-party external 5V power source (not included)
• Iris/aperture controlled by the camera body
• Image stabilization (IS) lens support
• Electronic manual focusing (e.g. EF 85/1.2L II and discontinued EF 50/1.0L)
• EXIF (focal length, aperture, zoom range)
• Distance and zoom display on camcorders (requires lenses supporting distance information)
Other
• Detachable tripod foot compatible with Arca Swiss, Markins and Photo Clam ball heads
• Flocking material coating to reduce the internal reflection
Limitations
• EF-S lenses require modification to fit (but third party DX lenses can be used without modification)
• No autofocus support for JVC and Olympus
• AFC (continuous AF) and AFF (flexible AF) modes are not supported
• No 24p video AF
• Video AF may hunt more than a native lens
• No support for in-camera correction such as peripheral shading, CA and distortion
• Designed to cover an 17.3mm x 13mm sensor but not enough to cover Super35 so JVC GY-LS300 needs to have VSM configured to 80%
NOTE: All the above information is courtesy of the www.metabones.com website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Images
Metabones Speedbooster (Nikon G -MFT mount)
PRODUCT FEATURES
– Industry’s best aperture ring covers a 8-stop range, clearly indicating actual number of f-stops. No more guesswork! (Patent pending).
– Compatible to both Nikkor G lens & F lens (include non-AI & AI lens mounts).
– Increase maximum aperture by 1 stop.
– Increase MTF.
– Makes lens 0.71x wider.
– Optics designed by Caldwell Photographic in the USA (patent pending).
– The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo Clam ball heads.
Remark: This mount is manual aperture control. It does NOT support electronic aperture control.
Incompatible Lenses:
Nikkor 2.1cm f4
20/2.8 AI-S
NOTE: All the above information is courtesy of the www.metabones.com website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
Quantity Available: 1
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Images
Nikon FTZ Adapter (Nikon F/G - Nikon Z)
Nikon FTZ Adapter
Key Features
- Nikon F Lens to Nikon Z-Mount Camera
- Maintains AF/AE with E, G, D Lenses
- Retains Infinity Focus
- Integrated 1/4-20 Mount
Enabling the use of nearly any Nikon F-mount lens on Z-mount mirrorless camera bodies, the FTZ Mount Adapter is a sophisticated means for expanding the range of usable lenses. While compatible with approximately 360 distinct F-mount lenses, this adapter is especially ideal for use with over 90 AF-S and AF-P type D, E, and G-type lenses, where it fully maintains autofocus and auto-exposure capabilities for seamless use of the SLR lenses on the mirrorless body. The adapter is built from magnesium alloy, is weather-sealed, and also incorporates a 1/4-20 mount on the base to provide a more balanced means for working on a tripod with longer, heavier lenses.
- AF-S Type G, E, and D; AF-P Type G and E; AF-I Type D: Full support of autofocus, MF (with electronic rangefinder support), full auto-exposure modes, and exposure metering
- AF Type G and D: Manual focus only (with electronic rangefinder support), full auto-exposure modes, and exposure metering
- Other AF Lenses: Manual focus only, full auto-exposure modes, and exposure metering
- PC-E NIKKOR Series and PC NIKKOR 19mm f/4E ED: Manual focus only, full auto-exposure modes, and exposure metering
- PC Micro 85mm f/2.8D: Manual focus only, manual exposure only, and exposure metering
- AI-P: Manual focus only, full auto-exposure modes, and exposure metering
- Non-CPU AI-, AI-Modified NIKKOR, or Nikon Series E Lenses: Manual focus only, aperture-priority and manual exposure modes, and all exposure metering modes except for highlight-weighted metering
Quantity Available: 1
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Images
Vizelex ND Throttle Adapter (Nikon G – MFT)
PRODUCT DESCRIPTION
The Vizelex Pro ND Throttle Lens Mount Adapter for Nikon F-Mount Lens to Sony E-Mount Camerafrom FotodioX allows a Nikon F-mount lens to be used with a Sony E-mount camera and features a built-in, variable neutral-density filter. This filter has a 2 to 1,000x filter factor that provides a 1 to 10 stop exposure reduction. While recording video with a CCD or CMOS camera, this adapter’s variable neutral-density filter can help maintain proper exposure by compensating for increased light levels after widening an installed camera lens’s iris to obtain a narrower depth-of-field.
SPECIFICATIONS
Adapter
Camera Mount: Sony E
Lens Mount: Nikon F
Physical
Dimensions: ø: 2.5 x D: 1.8″ / ø: 6.3 x D: 4.4 cm
Weight: 7.0 oz / 198.4 g
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Metabones Nikon G to Sony E-Mount Adapter
The matte black Nikon G Lens to Sony E-Mount Camera Lens Mount Adapter from Metabones allows you to attach a Nikon F-mount G lens to a Sony E-Mount or NEX camera, including an NEX full frame camera. Metabones’ adapters are precision-machined with brass and plated with chromium on both sides of the adapter. It is also designed to allow lenses to reach infinity focus while maintaining the correct registration distance required to support CRC lenses or lenses with floating elements.
This adapter features a clickless 7-stop aperture ring with half-stop markings and a detachable tripod foot compatible with Arca Swiss, Markins, and Photo cam ball head tripods. Additionally, its matte black finish minimizes internal reflections so as to maintain image quality.
To note, automatic lens functions, like autofocus, will not be retained when using this adapter.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: 38.50
Weekly Rate: $88
Images
Sigma MC-11 Canon EF to Sony E-Mount Adapter
The MC-11 Mount Converter enables the use of Sigma EF-mount lenses on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilization. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.
Per Sigma, this Mount Converter/Lens Adapter is compatible with a select number of Sigma’s own EF-mount lenses, and may or may not be suitable for use with other manufacturers’ EF-mount lenses.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Novoflex Lens adapter (Nikon G – Canon EOS)
PRODUCT DESCRIPTION
The Novoflex EOS/NIK-NT Lens Adapter allows a Nikon G type (no manual aperture ring) lens to be mounted onto Canon EOS Digital SLR cameras. The adapter is equipped with an integrated aperture control ring for manual exposure control.
SPECIFICATIONS
Adapter
Camera Mount: Canon EF
Lens Mount: Nikon F
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Alter RFS Rapid Filter System (77mm)
After installing the rapid filter system, you can easily engage or disengage the filter on your demand.
Universal ND filter adapter ring, compatible with most wide angle lens and prime lens and zoom lens, suitable for indoor and outdoor shooting.
Made of aluminum alloy CNC technology, not easy to deform, solid and durable. The filter cover can be rotated so as not to block the use of other accessories.
The filter frame fits tightly to the ring holder, preventing from light leakage and effectively reducing the light exposure.
Quantity Available: 1
24 Hour Rate: $11
Weekend Rate: $19.80
Weekly Rate: $44
Images
Alter RFS Rapid Filter System (82mm)
After installing the rapid filter system, you can easily engage or disengage the filter on your demand.
Universal ND filter adapter ring, compatible with most wide angle lens and prime lens and zoom lens, suitable for indoor and outdoor shooting.
Made of aluminum alloy CNC technology, not easy to deform, solid and durable. The filter cover can be rotated so as not to block the use of other accessories.
The filter frame fits tightly to the ring holder, preventing from light leakage and effectively reducing the light exposure.
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Hoya Polarising Filter (52mm)
The Hoya Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges and filters this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.
This filter is constructed from optical glass for clarity as well as color fidelity and features an aluminum-alloy filter ring that can be rotated in order to adjust the intensity of the polarization effect. To prevent internal ghosting and reflections, each glass surface includes five layers of anti-reflection coating.
Helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.
Polarizing filters arrange, and filter, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of the light.
- Clears up haze in distant landscapes and provides more saturated, vivid colors.
- Strongest effect when used at a 90° angle from the sun.
- Circular polarizers are ideal for use with digital cameras and autofocus lenses where a linear polarizer will often disrupt auto exposure and focus features.
- Multicoated to prevent internal ghosting and reflections while providing an improved beading effect with water for more efficient cleaning.
- Aluminum-alloy filter ring for durability while remaining lightweight.
- Filter ring can be rotated to adjust the intensity of the polarization effect.
- Top knurling to provide a more textured grip when mounting or removing it from a lens.
- Constructed from optical glass for clarity and color fidelity.
- Plastic filter case for storage and transport.
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Hoya Polarising Filter (67mm)
The Hoya Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges and filters this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.
This filter is constructed from optical glass for clarity as well as color fidelity and features an aluminum-alloy filter ring that can be rotated in order to adjust the intensity of the polarization effect. To prevent internal ghosting and reflections, each glass surface includes five layers of anti-reflection coating.
Helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.
Polarizing filters arrange, and filter, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of the light.
- Clears up haze in distant landscapes and provides more saturated, vivid colors.
- Strongest effect when used at a 90° angle from the sun.
- Circular polarizers are ideal for use with digital cameras and autofocus lenses where a linear polarizer will often disrupt auto exposure and focus features.
- Multicoated to prevent internal ghosting and reflections while providing an improved beading effect with water for more efficient cleaning.
- Aluminum-alloy filter ring for durability while remaining lightweight.
- Filter ring can be rotated to adjust the intensity of the polarization effect.
- Top knurling to provide a more textured grip when mounting or removing it from a lens.
- Constructed from optical glass for clarity and color fidelity.
- Plastic filter case for storage and transport.
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Kenko Polarising Filter (77mm)
77mm – Kenko 77mm Circular Polarising Filter
- Enhances Colour and Contrast
- Reduces Reflection from Non-Metallic Surfaces
- Reduces Softness caused by Atmospheric Haze
- Compatible with Metering Systems of DSLRs
- No Impact on Colour Balance
- Filter Factor 3~4 (1 2/3 to 2 stops)
- Protects the Front Element of Lens
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Hoya Polarising Filter (77mm)
The Hoya Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges and filters this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.
This filter is constructed from optical glass for clarity as well as color fidelity and features an aluminum-alloy filter ring that can be rotated in order to adjust the intensity of the polarization effect. To prevent internal ghosting and reflections, each glass surface includes five layers of anti-reflection coating.
Helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.
Polarizing filters arrange, and filter, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of the light.
- Clears up haze in distant landscapes and provides more saturated, vivid colors.
- Strongest effect when used at a 90° angle from the sun.
- Circular polarizers are ideal for use with digital cameras and autofocus lenses where a linear polarizer will often disrupt auto exposure and focus features.
- Multicoated to prevent internal ghosting and reflections while providing an improved beading effect with water for more efficient cleaning.
- Aluminum-alloy filter ring for durability while remaining lightweight.
- Filter ring can be rotated to adjust the intensity of the polarization effect.
- Top knurling to provide a more textured grip when mounting or removing it from a lens.
- Constructed from optical glass for clarity and color fidelity.
- Plastic filter case for storage and transport.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Tiffen Black Pro-Mist 1/8 Diffusion Filter (77mm)
Tiffen 77BPM18 Overview
The Tiffen 77mm Black Pro-Mist 1/8 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 1/8 density provides less contrast and highlight reduction than the 1/4, while still allowing for a soft, pastel-like quality of light.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, and then mounting to precision metal rings.
Pro-Mist filters provide little loss of detail across the image compared to traditional diffusion and soft focus filters.
Especially useful for smoothing out and softening facial wrinkles and other blemishes.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Tiffen Glimmer Glass 1 Diffusion Filter (77mm)
Tiffen 77GG1 Overview
The Tiffen 77mm Glimmerglass 1 Filter is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The 1 density provides a small amount of softening and overall image alteration.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, and then mounting onto precision metal rings.
- Produces glowing highlights and a slight reduction in contrast for a more ethereal image appearance.
- Helps soften skin details, blemishes, and wrinkles.
- When viewed from the subject\\’s perspective, the filter appears to be sparkling and helps instill confidence in models, resulting in a potentially better performance.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Tiffen Glimmer Glass 1 Diffusion Filter (82mm)
Tiffen 82GG1 Overview
The Tiffen 82mm Glimmerglass 1 Filter is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The 1 density provides a small amount of softening and overall image alteration.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, and then mounting onto precision metal rings.
- Produces glowing highlights and a slight reduction in contrast for a more ethereal image appearance.
- Helps soften skin details, blemishes, and wrinkles.
- When viewed from the subjects perspective, the filter appears to be sparkling and helps instill confidence in models, resulting in a potentially better performance.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Moment Cine Bloom 10% (77mm)
Moment 600-072 Overview
Capture dreamy, filmlike footage with the 77mm CineBloom Diffusion Filter from Moment. Available here in a density of 10%, this diffusion filter lets you escape the clinical, ultra-sharp look of digital photography. Engineered to catch and bloom light, the filter softens hard edges and provides a smoothing effect on skin tones, making wrinkles less noticeable. The ring of the filter is machined from aerospace-grade metal and designed to be thin enough to stack underneath another filter without compromising the field of view. This allows you to stack a neutral density or variable neutral density filter on top of it for shooting at cinematic frame rates and capturing motion blur.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Moment Cine Bloom 20% (77mm)
Moment 600-079 Overview
Capture dreamy, filmlike footage with the 77mm CineBloom Diffusion Filter from Moment. Available here in a density of 20%, this diffusion filter lets you escape the clinical, ultra-sharp look of digital photography. Engineered to catch and bloom light, the filter softens hard edges and provides a smoothing effect on skin tones, making wrinkles less noticeable. The ring of the filter is machined from aerospace-grade metal and designed to be thin enough to stack underneath another filter without compromising the field of view. This allows you to stack a neutral density or variable neutral density filter on top of it for shooting at cinematic frame rates and capturing motion blur.
Quantity Available: 1
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
Fotga Slim Wide Band Fader ND (77mm)
This FOTGA Fader ND filter is made of Optical glass from Japan, offering a better image resolution, avoiding any colour cast. This Fader ND works great both for photography and videography.
Features:
- Fader ND filter is highly recommended by famous photographers and film directors. We deliver you the best Fader ND with confidence and professional after sales support. You don\\’t have to carry a bunch of filters for shooting. One filter give you from the range ND2 to ND400.
- Neutral Density (ND) filters can reduce the intensity of light without appreciably changing its color. Traditionally speaking, ND filters have different f-stop reduction numbers and transmittance thus generated can be applied for different shooting conditions, such as portraiture, water falls, etc.
- Slim profile design. Thin filters are essential for avoiding vignetting when shooting at wider angles. Simply rotate the ring of this filter, it offers 2 to 8 stops added density.
- Apply slow shutter speed under strong sunlight exposure. Large aperture is available to create depth of field easily. Carry ONLY a single filter with the same capability with ND2, ND4, ND8 and ND400.
- The Fader ND filter is suggested to use with wide and standard lens to obtain the best performance. Image quality may drop when focal length above 200mm. It may not be suitable for wide angle lens <24mm, 35mm film format equivalent.
Quantity Available: 1
24 Hour Rate: $11
Weekend Rate: $19.80
Weekly Rate: $44
Images
L.C.W. Fader ND Filter Mark II (77mm)
PRODUCT DESCRIPTION
The Light Craft Workshop 77mm Fader ND Mark II Filter is a solid variable neutral density filter providing an exposure reduction of approximately 2 to 8 stops. The 0.6 to 2.4 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. The degree of density is easily controlled by rotating the front filter ring, allowing you to previsualize the additional exposure length required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. For easier, repeatable control over density settings, the front ring is also visually demarcated with dots that represent different density values.
SPECIFICATION
| Type |
Variable neutral density |
| Size |
77 mm |
| Density |
0.6 to 2.4 (2 to 8 stops) |
| Rotating |
Yes; to vary density |
| Effect |
Permits a longer exposure |
| Construction |
Optical glass and aluminum filter ring |
| Front Filter Thread Size |
82 mm |
| Front Lens Cap Size |
82 mm |
Quantity Available: 2
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
K&F Concept Variable ND + Polarising Filter (82mm)
- ND2 – ND32 range
- ND & CPL filter 2 in 1 – One filter has the ND and CPL filter features, it can not only reduce the amount of light entering the lens but also darken skies, manage reflections as the same time.
- No “X” cross on images – Say goodbye to the X cross on images, K&F utilize cutting edge technology youre going to say goodbye to this common issue with wide angle lenses and variable ND filters.
- Material – Made by completed professional optical glasses, Multi-layer coating, only allows 0.4% light transmittance and waterproof, scratch-resistant, which could protect your valued lens.
- Filter Frames – Filter Frames made by aluminum alloy, the serrated design of the edge of the frame makes it easy to install. There is 5 mark from Min to ND32 on frame, It is convenient for you to sure the ND filter stops.
ND & CPL Filter 2 in 1
One filter has both variable ND filter function+CPL function, so you have no need to replace two filters
F-Stops: ND2 ND4 ND8 ND16 ND32, giving great versatility in changing light. Reduces the amount of light without effecting color balance
CPL allows you to find the best angle to filter the diffused light so you can achieve greater color saturation, greater contrast and remove reflections from all surfaces.
Nano Coating
Our optical engineers developed new nano coating layer technology, called nanotec, 18-Layer coating on both sides, from the ground up to repel dirt, water, oil and other elements by beading rather than absorbing and smearing. Set in our workhorse and built to withstand extreme wind, salt water, dust and other abrasive conditions and elements.
Without Cross
Say goodbye to the spot X issue on images, K&F utilize cutting edge technology youre going to say goodbye to this common issue.
Quantity Available: 1
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
Images
Hoya 85B Conversion Filter (77mm)
The 85B color conversion filter allows photographers to shoot Tungsten-balanced (3200°K) film in daylight (5500°K) conditions.
The Hoya 85B filter should be used when:
- Using tungsten-balanced film (3200°K) and shooting in daylight
- Using tungsten-balanced film (3200°K) indoors with 5500°K temperature light sources.
Hoya 85 Series Conversions:
| FILTER |
From (light source) |
To (neutral) |
| 85B |
5500°K |
3200°K |
| 85 |
5300°K |
3200°K |
| 85C |
4900°K |
3200°K |
Hoya color conversion filters are manufactured in Japan using hand-selected silicates that are carefully smelted and blended to yield high-performance optical glass. Hoya then applies 6-layers of a Super Multi-Coating (SMC) formula which greatly reduces or eliminates reflections on the surface of the glass. This means the filter has virtually no unwanted effect on color, contrast, or clarity of the final image.
The filter features a lightweight standard aluminum frame to house the glass (Ø46mm – Ø82mm sizes) and signature Hoya casing.
Quantity Available: 2
24 Hour Rate: $22
Weekend Rate: $38.50
Weekly Rate: $88
Images
IR720nm Infrared Filter (77mm)
This IR720 Infrared Filter passes infrared light while completely blocking other wavelengths of light in the visible spectrum. Unlike the eye, silicon- based CCD and CMOS image sensors have sensitivities extending into the near-infrared, which may extend to 1000nm. Digital cameras are typically equipped with an IR-blocking filter to prevent unnatural-looking images. IR-passing filters, or removal of factory IR-blocking filters from the camera, are commonly used in infrared photography to pass infrared light and block visible and ultraviolet light.
This IR filter easily screws onto a standard 77mm filter thread, blocking UV and visible light in the spectrum up to 720nm. While appearing black to the human eye, it transmits infrared light through to the IR sensitive image sensor. When taking pictures interesting effects can be achieved, since infrared is actually heat, so living subjects that transmit or reflect heat will appear to be bright. Infrared photography opens up a whole new way of looking at the world aside from conventional visible light.
Quantity Available: 1
24 Hour Rate: $11
Weekend Rate: $19.80
Weekly Rate: $44
Images
Arrow Close-Up Filter #4 (55mm)
This filter is a +4 diopter filter that decreases the minimum focusing distance of the lens, allowing you to get even closer to your subject. This filter is constructed from an anodized aluminum filter ring and optical grade organic glass and includes a plastic storage case with cushion liner.
Quantity Available: 1
24 Hour Rate: $11
Weekend Rate: $19.80
Weekly Rate: $44
Images
Close-Up Macro Filter +2 (52mm)
This filter is a +2 diopter filter that decreases the minimum focusing distance of the lens, allowing you to get even closer to your subject. This filter is constructed from an anodized aluminum filter ring and optical grade organic glass and includes a plastic storage case with cushion liner.
Quantity Available: 1
24 Hour Rate: $11
Weekend Rate: $19.80
Weekly Rate: $44
Images
