ZOOM H6

Inputs

The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo ⅛” Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or ¼” balanced or unbalanced phone cables. They can handle both mic- and line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors.

Each of the six inputs (that is, 1-4 as well L, R) have a dedicated gain control knob as well as a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you’re using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule’s stereo 1/8” Line In jack.

Outputs

The H6 Line Out is an unbalanced stereo 1/8” phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6’s internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the “Audio Interface” function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to its stereo 1/8” mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

RECORDING FEATURES

Never miss a take

Pre-Record

The interview started a split-second before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you’re using the H6. Its Pre-Record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It’s as if the H6 had started recording two seconds before you actually got to hit the button.

Backup-Record

Backup-Record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you’ll hear the original L/R tracks; when turned ON, you’ll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

Auto-Record

The Auto-Record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn’t immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you’ve set, recording begins.

There’s an equivalent Auto-Record Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you’ve set, recording ends.

BATTERY LIFE AND RECORDING TIMES

Time is on your side.

The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage. A handy “SD Card Remain” function allows you to see at a glance how much space remains on the currently inserted card, both in gigabytes and percentage.

SUPPORTED FILE TYPES

To compress or not to compress.

The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any “bits” (digital words) being removed. Thus, they provide full fidelity without compromise.

The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:

44.1kHz / 16-bit 44.1kHz / 24-bit 48kHz / 16-bit 48kHz / 24-bit 96kHz / 16-bit 96kHz / 24-bit

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are “BWF-compliant.” This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in post-production.

MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.

Note that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6’s internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 (or WAV), with independent control over each track’s level, panning and pitch.

The Rolland Ediroll R-44 Audio Recorder is an easy to use, 4 channel XLR audio recorder that can be powered by 12v DC, AC or 4x AA batteries for maximum versatility.

It comes included with a pelican hard case and AC power adapter.

About

• Can I use multiple transmitters with a single RØDELink receiver?-
  • Not simultaneously. Each RØDELink System is designed to operate as a pair and you can only receive audio from one transmitter unit at any time.That said, each RØDELink receiver has up to eight memory locations where it can store paired transmitters so you can have one receiver unit that can connect to eight transmitters without having to re-pair the units.To switch between paired transmitters (in this example Ch1 and Ch2) on the same receiver, follow these steps:
    • Turn off transmitter using Ch1
    • Switch receiver to Ch2
    • Turn on transmitter using Ch2
    • Wait for the units to pair
• Can I use any microphone with my RØDELink Filmmaker kit?-
  • Yes, the RØDELink Filmmaker kit transmitter accepts a 3.5mm TRS mic input, so you can connect any self-powered microphone with a 3.5mm output, such as a VideoMic into the RØDELink Filmmaker kit transmitter.
• Can I connect the output of the RØDELink Filmmaker receiver (RX-CAM) to an XLR input?-
  • Yes you can, using a 3.5mm to XLR adaptor such as the RØDE VXLR.Please note that this will be an unbalanced signal.
• Can I connect an XLR microphone to the RØDELink Filmmaker kit?
  • Yes you can connect an XLR microphone to the RØDELink Filmmaker kit, however the microphone must be self-powered as the TX-BELT transmitter unit does not provide phantom power.To connect your XLR microphone you will need an XLR-to-3.5mm cable such as this.
• How do I pair my RØDELink transmitter and receiver?-
  • RØDELink kits are shipped pre-paired from the factory, however if you wish to re-pair for any reason just follow these steps:
    1. Turn on the Receiver and Transmitter units.
    2. Open the battery door of both units, allowing access to the pair (red) buttons.
    3. On the Receiver unit, press the pair button. The screen status should change to display a flashing channel number and a searching animation to indicate it is in pair mode.
    4. If you wish to select a specific channel number, press the ‘CH’ button to cycle through to the desired channel.
    5. Press the pair button on the Transmitter.
    6. Both units should now display a solid, matching channel number indicating that they are now paired.

    If you wish to pair multiple RØDELink kits, simply switch off the first set and then pair the second set using the steps above on a different channel.

• Is the lavalier microphone supplied with the Filmmaker Kit the same as RØDE’s Lavalier microphone?-
  • No. The lav mic included is a different microphone, and does not have a removable adaptor but rather a fixed 3.5mm connector with locking thread. While both are broadcast-grade in performance, the Lavaliersupports the MiCon adaptor system for a wide range of compatibility with popular audio devices.
• What is the operating range of the RØDELink wireless system?-
  • The RØDELink system has an operating range up to 100m (~110 yards), however as with all wireless transmission devices this operating range can be influenced by external factors.The RØDELink system operates in the 2.4GHz frequency spectrum which is shared with common wireless transmission devices such as WiFi networks, Bluetooth devices, microwave ovens and more. The more 2.4GHz devices that are simultaneously running in the same location as your RØDELink system, the more congested this 2.4GHz frequency spectrum will be, cutting down the signal strength and overall operating range for all 2.4GHz devices. In a very busy 2.4GHz environment you may find your RØDELink system is unable to maintain its maximum operating range.Signal travelling distance is also another possible factor. This refers to the physical distance between the Receiver (RX) and Transmitter (TX). An unobstructed line of sight between the two devices will provide the shortest possible signal travelling distance, therefore the strongest signal. If the signal needs to travel through, or around walls and other objects, this lengthens your signal travelling distance, reducing overall signal strength.For more information on the 2.4GHz spectrum with your RØDELink system watch the video below.
• Can I use multiple RØDELink kits at the same time?-
  • Yes, RØDELink systems have been tested for use with up to 8 kits operating in the same area under optimum conditions without problem.
    It is important to note that the more kits you have operating simultaneously, the more likely you are to experience a decrease in their useable range. This is also relative to the environment you are operating in and depending on the amount of 2.4Ghz devices that are active at the time of use, your useable range may be less than the optimum distance.If a complex setup is required or you want to use multiple RØDELink systems, we strongly recommend testing your setup in the same active environment you intend to use it. This will allow you to assess the signal strength surrounding you and any range restrictions you’ll need to be aware of during operation.When using multiple RØDELink kits you will also want to space the receivers apart for optimal performance. This only needs to be a minimum of 10-15cm and typically will only affect usage in congested RF environments as well as when larger transmitting distances are required. Always make sure that your receivers (Rx) are orientated so that the antennas are forward facing (when using the Rx-CAM this will occur naturally if the kits are mounted via the provided cold shoe mount and the display is facing the camera operator).
• How does ‘Signal to Noise Ratio’ affect my RØDELink’s range?-
  • Take for example a small room with no people in it, you are trying to hold a conversation with someone across the room, you’ll probably need to be standing within 4-5 meters of that person for them to be able to hear you speaking at a normal level. Now, consider being in the same room but instead filled with 20 people talking at once, you’ll need to be much closer than a meter for that same person you were trying to hold a conversation with to hear you speaking at normal level, reducing the distance between you.Think of yourself as the transmitter, your friend the receiver, your speaking voice the signal and all the other people speaking around you to be the ‘noise’. The greater the ‘noise’ level (other signals in the 2.4Ghz spectrum), the closer the ‘transmitter’ and ‘receiver’ will need to be to successfully communicate with each other.Of course, there is technology that can help with the background noise. Each RØDELink system transmits on two frequencies simultaneously and its series II 2.4Ghz technology is constantly searching for and hopping between the strongest frequencies to transmit on, ensuring the best possible communication between transmitter and receiver. However, understanding that the 2.4Ghz ‘noise’ will affect the range which the RØDELink systems can transmit will help ensure you allow for the best setup within your requirements.
• How do I optimize my RØDELink’s range and performance?-
  • Understanding both the environment you are operating in as well as exactly what the oppositional factors mean and how they might affect performance is key to optimising your RØDELink setup.
    1. The biggest impact on performance will of course be interference from other devices in the area you intend to use your RØDELink system. Wi-Fi access points are the most common interferer in the 2.4Ghz spectrum, so a simple way of identifying how many access points are available in an area is to take a quick look at how many you can see on your smartphone. The more access points, the higher the interference potential.
    2. If you have identified that you are operating in a congested 2.4Ghz environment, you’ll then want to consider how these interferers will impact the RØDELink’s performance.  As a general rule, 3 access points, being heavily used in the same area will cause the 2.4GHz frequency band to be used up and you will see a large reduction in range performance of the RØDELink system.  However, distance between the interferers and the RØDELink system can help this. For optimum RØDELink performance you should aim to keep the distance between your transmitter (Tx) and receiver (Rx) to less than the distance between any interfering device and the transmitter or receiver.
    3. Wherever possible, you will want to keep your Transmitter (Tx) and Receiver (Rx) in direct line of sight. This means that there are no objects at all between the two. Understandably the transmitter (Tx) may at times need to be hidden depending on the scenario you are using it in, however the RØDELink’s range can be further optimised by ensuring there is nothing impeding the signal transmission.
    4. The orientation of the antenna in your RØDELink kit during operation will also help optimise the systems performance. The Rx-CAM will be oriented correctly if mounted via the cold shoe mount which it ships with as standard. If the shoe is not being used you should aim to have the bottom of the receiver (opposite side to the screen) pointing towards the transmitter.

NOTE: All the above information is courtesy of the www.rode.com/wireless/filmmaker  website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.

Expanding on the original Wireless GO with updates allowing for two-person shoots, onboard recording, a greatly extended range, and flexible output options, the black Rode Wireless Go II system lets videographers, vloggers, and mobile journalists confidently and quickly incorporate wireless audio into their setup regardless of their experience level or what device theyre recording to.

Boasting secure Series IV 2.4 GHz digital transmission, easy operability, and built-in mics (lavalier mics available separately), the system is ready to go at the press of a button; you can focus on getting the shot knowing that the Wireless GO II is delivering quality audio at a range of up to 656 feet. There are no menus and no finicky dials, just simple power-on-and-go functionality and a bright, informative LCD screen showing you what you need to see. When youre ready for more, use Rodes companion app to access a powerful feature set and extended customization of settings.

Kit Includes:

• Rode NTG-3B
• Standard Mount
• Blimp
• Dead Cat Windsock
• 10m XLR Cable
• Rode Boom Pole

Capture broadcast-quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the black Rode NTG3B moisture-resistant shotgun microphone. Professional-level features such as low-noise circuitry, upgraded immunity to radio-frequency interference, and minimal handling noise reduce the need to repair and restore audio in postproduction.

The NTG3Bs high sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG3B delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing attenuation of low bass frequencies. Its switch- and dial-free design lets you set up quickly and focus on the sound instead of fiddling with various mic settings. The solid brass housing is both durable and lightweight, and its anti-glare finish prevents reflections in the shot.

Super-cardioid/lobar microphone head suitable for K6 and K6P powering modules. For reporting, film, and broadcast location applications, as well as for picking up quiet signals in noisy or acoustically live environments.

Overview

The Rode Mini Boompole is a compact, lightweight solution to electronic-news-gathering (ENG) and field recording applications that do not necessarily require a long boompole. The Mini Boompole features a fully extended length of 81-inches and 33-inches when contracted. A 3/8-inch stud easily attaches to compatible microphone mounts such as the Rode SM3, SM4 and SM5 shockmounts.