24 Hour Rate: $55
Weekend Rate: $99
Weekly Rate: $220
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
24 Hour Rate: $198
Weekend Rate: $341
Weekly Rate: $792
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $88
Weekend Rate: $154
Weekly Rate: $352
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $99
Weekend Rate: $176
Weekly Rate: $396
24 Hour Rate: $198
Weekend Rate: $352
Weekly Rate: $792
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Kit Includes:
- Canon RF 50mm f1.8 STM
- Hard Case
Compact, lightweight, and close-focusing, the Canon RF 50mm f/1.8 STM is a sleek normal-length prime offering a classic, versatile field of view and an especially compact design. An ideal lens for every day, walkaround shooting, this 50mm f/1.8 is characterized by its bright design for available light shooting and apt depth of field control. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
24 Hour Rate: $55
Weekend Rate: $99
Weekly Rate: $220
Includes:
- EF – R Mount Lens Adapter
- Soft Bag or Case
Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Item Specifics
The EF 8-15mm f/4L Fisheye Lens is an L-type fisheye zoom lens that goes further by being the world’s first real fisheye zoom lens that functions as a circular fisheye and full-frame fisheye for full size, and as a full-frame fisheye for APS-C/H sizes. Coupled with excellent dust and waterproofing characteristics with high durability and quality makes this an ultra-high performance fisheye zoom lens.
Equisolid angle projection fisheye zoom lens Newly designed 2 group zoom optical system Achieves a fisheye lens with three differing imaging elements. Full size: circular fisheye to full-frame fisheye; APS-C & APS-H: full-frame fisheye to ultra-wide (with distortion aberration) Uses a UD lens and an aspheric lens to ensure high-quality images with the highest levels of image resolution Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions. Manual focusing enabled even during AF mode (full-time mechanical manual focus).
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
Specifics
The exacting professional’s ultra wide-angle lens, the EF 14mm f/2.8L II USM uses UD and aspherical elements for paramount image quality. A maximum f/2.8 aperture ensures great low light performance.
A special perspective
Covering a breathtaking 114° field of view, the EF 14mm f/2.8L II USM goes beyond human perspective. Ideal for capturing small interiors, large subjects at close distances or dramatic landscapes, this highly expressive lens can also be used to create a strong sense of separation between close subjects and background.
L-series construction
Like all L-series lenses, the EF 14mm f/2.8L II USM combines precision optics with unsurpassed build quality, reliability and ease of use. Dust and moisture seals offer advanced protection from the elements, even in harsh weather conditions.
Large f/2.8 aperture
A maximum aperture of f/2.8 allows for fast, flash-free shooting in low light settings, plus good depth of field control.
Aspherical and UD elements
For optimum visual performance, the lens incorporates two types of special elements: aspherical elements to correct spherical aberrations, and Super UD (ultra-low dispersion) elements to eliminate secondary chromatic aberrations. The result is crisp, high contrast and undistorted image quality all the way to the frame peripheries.
Ring USM auto focus with manual override
Canon’s ring USM auto focus system employs ultra-sonic frequency vibrations for fast, accurate and virtually silent operation with excellent holding torque. Full-time manual focus override, via a large ring that does not rotate during auto focus, allows photographers to begin fine-tuning a shot instantly.
Super Spectra coating
Super Spectra coatings help ensure accurate colour balance and high contrast, and suppress flare and ghosting by absorbing light that might be reflected off internal lens elements and digital EOS sensors.
Circular aperture
A circular aperture delivers smooth, even-looking bokeh (background blur) – ideal for isolating subjects at large aperture, or compelling portraiture.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
The holy trinity of Canon Zooms now in one convenient package!
This kit includes the Canon EF 16-35mm f4L, Canon 24-70mm f2.8L and the 70-200mm f2.8L lenses.
If this kit should cover almost any shooting scenario from wide angle landscapes through to portraiture and sports.
Canon 16-35mm
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Ultra-Low Dispersion Elements
- Three Aspherical Elements
- Super Spectra and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery. Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast. Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.
Complementing the imaging capabilities, this wide-angle zoom also features a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
24 Hour Rate: $198
Weekend Rate: $341
Weekly Rate: $792
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Ultra-Low Dispersion Elements
- Three Aspherical Elements
- Super Spectra and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is a Canon L-series lens distinguished by its constant f/4 maximum aperture, sophisticated optical design, and use of image stabilization to realize sharp imagery. Two ultra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations throughout the zoom range for high clarity and color accuracy, and a Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast. Three aspherical elements are also featured and help to control distortion and minimize spherical aberrations for improved sharpness.
Complementing the imaging capabilities, this wide-angle zoom also features a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
24 Hour Rate: $66
Weekend Rate: $110
Weekly Rate: $264
The newly developed and released EF24-70mm f/2.8L II USM is the further evolution of the EF24-70mm f/2.8L USM, which has served as a leading standard zoom lens with professionals.
The lens delivers higher image quality and enables us ers to capture images with greater presence and three-dimensionality. It offers great shooting flexibility in the digital age and can even be used as a wide-angle prime.
High Image Quality
- Employing three aspherical lens elements, one super UD lens element, and two UD lens elements, the lens achieves ‘‘super’’ high image quality in the entire zoom range and entire image area
- Newly-designed four-group zoom and inner focus system
- Coating optimization reduces ghosting while also achieving an optimal color balance
Durability & Reliability
- High durability and reliability allow the lens to withstand frequent use, making it well-suited for professionals in the digital camera age
- Dust-Proof/Drip-Proof performance allows for shooting under harsh conditions
- Fluorine coating is applied to the front and back lens surfaces that come in contact with the air
Improved Usability
- Achieved a smaller, lighter design despite its large-diameter lens classification
- High-grade external design, expected of L-Series, created with a focus on usability
- Equipped with a zoom ring lock level which prevents inadvertent activation
Focal Length & Max Aperture:
24-70mm 1:2.8
Picture Size:
35mm Full Size
Filter Diameter:
82mm
Lens Construction:
18 elements in 13 groups
Minimum Aperture:
f/22
Closest Focusing Distance:
0.38m
Focus Drive:
Ring USM
Dimensions:
88.5mm x 113.0mm
Weight:
805g
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimise flare and ghosting to realise greater contrast and colour accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realise quick and near-silent autofocus performance along with full-time manual focus override.
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Optical Features/Specifications
Angle of view (horzntl, vertl, diagnl) – 29°-10°, 19°30’-7°, 34°-12°
Lens construction (elements/groups) – 23/19
No. of diaphragm blades – 8
Minimum aperture – 32
Closest focussing distance (m) – 1.2
Maximum magnification (x) – 0.21 (tele)
Distance Information – Yes
AF actuator – Ring USM1
Physical Specifications
Dust/moisture resistance – Yes2
Filter diameter (mm) – 77
Max. diameter x length (mm) – 88.8 x 199
Weight (g) – 1480
Accessories
Lens cap – E-77II
Lens hood – ET-87
Lens case/pouch – LZ1326
Rear cap- Lens Dust Cap E
Magnification with Extension Tube EF12 II – 0.23-0.28
Magnification with Extension Tube EF25 II – 0.36-0.42
Extender Compatibility – Yes
1 Full time Manual focus
2 Lenses with dust/moisture resistance are fitted with a rubber ring on the lens mount which may cause slight abrasion of the camera mount. This in no way effects either the lens or camera performance.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $88
Weekend Rate: $154
Weekly Rate: $352
Specifics
The lens delivers higher image quality and enables users to capture images with greater presence and three-dimensionality. It offers great shooting flexibility in the digital age and can even be used as a wide-angle prime.
High Image Quality
Employing three aspherical lens elements, one super UD lens element, and two UD lens elements, the lens achieves “super” high image quality in the entire zoom range and entire image area
Newly-designed four-group zoom and inner focus system
Coating optimization reduces ghosting while also achieving an optimal color balance
Durability and Reliability
High durability and reliability allow the lens to withstand frequent use, making it well-suited for professionals in the digital camera age.
Dust-Proof/Drip-Proof performance allows for shooting under harsh conditions
Fluorine coating is applied to the front and back lens surfaces that come in contact with the air
Improved Usabiilty
Achieved a smaller, lighter design despite its large-diameter lens classification
High-grade external design, expected of LSeries, created with a focus on usability
Equipped with a zoom ring lock level which prevents inadvertent activation
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $77
Weekend Rate: $132
Weekly Rate: $308
This compact, lightweight standard zoom lens replaces the EF28-80mm f/3.5-5.6 III USM. Offering such features as micro USM (ultrasonic motor)-driven autofocus, the model retains essentially the same mechanical structure as its predecessor, but incorporates a new optical system design that employs only lead-free glass.
This lens comes paired with our Canon 1000F-N film camera bodies.
24 Hour Rate: $33
Weekend Rate: $55
Weekly Rate: $132
Specifics
The EF 2.0x III serves as the perfect accessory to Canon EF Lenses allowing you to get even closer to the action capturing that perfect shot.
Focal Length Extension for Super-Telephoto Lenses
Designed to work in conjunction with L-series IS super-telephoto lenses.
Improved Communication Between Lens and Camera
A built in microprocessor provides accurate transfer of data from the lens and camera.
Compatible with L-Series Telephoto and Telephoto Zoom Lenses
Compatible with most telephoto/telephoto zoom lenses within Canon’s L-series range.
Key Features
Picture Size 35mm Full size
Lens Construction 9 elements in 5 groups
Front Mount Canon EF Mount (11 contacts)
Rear Mount Canon EF Mount (7 contacts)
Dimensions 72.0 x 52.7mm
Weight 325g
Optical performance offering high image quality.
Dustproof and Waterproof (JIS2 equivalent)
New lens materials reducing ghosting and lens flare
Built in microcomputer enabling communication between lens,
extender and camera
High AF accuracy
Compatibility
Only compatible with fixed focal length L-Series lenses 135mm and over, as well as the 70-200 2.8L, 70-200 2.8L IS, 70-400 F4L, 70-400 4.5-5.6L. Compatibility also depends on the above lenses and the combination with a D-SLR body type.
NOTE: All the above information is courtesy of the www.canon.com and www.canon.com.au website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Our Rokinon prime lens set is the perfect budget friendly solution for film, television and media productions such as independent films. They cover the majority of the most commonly used focal lengths.
The kit includes 3 lenses:
- Rokinon 24mm CINE T1.5
- Rokinon 50mm CINE T1.5
- Rokinon 85mm CINE T1.5
These lenses are fully manual lenses and come available in either Nikon G or Canon EF mounts (via an adapter).
These lenses come in their very own Pelican style hard case, 77mm filter thread and UV filters.
24 Hour Rate: $99
Weekend Rate: $176
Weekly Rate: $396
Our Rokinon prime lens set is the perfect budget friendly solution for film, television and media productions such as independent films. They cover the majority of the most commonly used focal lengths.
The kit includes 6 lenses:
- Rokinon 16mm CINE T2.6
- Rokinon 24mm CINE T1.5
- Rokinon 35mm CINE T1.5
- Rokinon 50mm CINE T1.5
- Rokinon 85mm CINE T1.5
- Rokinon 135mm CINE T2.2
These lenses are fully manual lenses and come available in either Nikon G or Canon EF mounts (via an adapter).
These lenses come in their very own Pelican style hard case, 77mm filter thread and UV filters.
24 Hour Rate: $198
Weekend Rate: $352
Weekly Rate: $792
14mm f2.8 SAMYANG PRIME LENS – De-clicked Aperture in Nikon G or Canon EF (via adapter)
Excellent condition, no fungus, scratches or blemishes on the glass.
This lens has has had its aperture de-clicked for video work. Feel free to book an inspection today!
PRODUCT OVERVIEW
The Samyang 14mm f/2.8 is a wide-angle prime lens that’s designed specifically for use on Nikon full-frame cameras, but it can also serve as a 21mm-equivalent lens when used on a Nikon APS-C (i.e. DX) camera. he optical design incorporates a pair of aspherical elements and three high refractive index (HR) elements, which control spherical aberrations and distortion. Additionally, two extra-low dispersion elements are used to reduce color fringing and chromatic aberration for improved clarity and color accuracy. An Ultra Multi-Coating has also been applied to limit flare and ghosting for improved contrast and color rendering in strong lighting conditions. This manual focus prime has an 11″ minimum focusing distance and also features a built-in petal-shaped lens hood to guard against flare and protect the front element.
SPECIFICATIONS
- Focal Length: 14 mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- Camera mount type: Nikon F
- Format compatibility: Nikon FX/35mm Film
- Angle of view:7 degrees
- Minimum focus distance:02”/28 cm
- Optical design: 14 elements in 10 groups
- Filter thread: None
- Dimension (DxL):43 x 3.79″ / 87 x 96.3 mm
- Weight:17 lb / 530 g
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
The Rokinon 16mm T2.2 Cine Lens for Nikon F is a wide-angle lens optimized for digital cinematography. The lens produces an image circle that will cover APS-C sized sensors or smaller. The focus and aperture rings feature industry-standard 0.8 pitch gearing for attaching a follow focus unit. The aperture ring is also de-clicked to allow for smooth iris pulls while shooting. Focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers, who typically operates on the side of the camera.
The 16mm T2.2 lens is constructed out of 13 individual elements in 11 groups, including one aspherical and one hybrid aspherical element. Aspherical elements help minimize unwanted distortion and chromatic aberrations. The lens also has a multi-layer coating to reduce flares and maintain image contrast in bright conditions.
With an angle of view of 83.1°, the lens is well-suited for shooting landscapes, architecture, and for use in tight interior locations. A maximum aperture of T2.2 means that the lens is effective in low-light shooting and can produce a shallow depth of field when the lens is closer to the subject. The lens has a minimum focus distance of 7.87 inches. A bayonet-mount lens hood and lens pouch come included with the lens.
- 16mm lens with 83.1° angle-of-view
- Image Circle covers APS-C sized sensors
- Industry Standard 0.8 pitch gearing on Focus and Iris rings
- De-clicked aperture for smooth focus pulls
- 13 elements in 11 groups with an aspherical and a hybrid aspherical lens element
- Ultra Multi Coating on lens minimizes flares and ghosting
- Depth of Field markings on side of the lens
- A minimum focusing distance of 7.87 inches
- Includes bayonet mount lens hood
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
PRODUCT OVERVIEW
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
SPECIFICATIONS
1. Focal Length: 24 mm
2. Lens Mount: Nikon F (or Canon EF via adapter)
3. Format: Full Frame
4. Maximum T-Stop: T 1.5
5. Minimum T-Stop: T22
6. Diagonal Angle of view: Super 35: 61.8 degrees; Full frame: 84.1 degrees
7. Minimum focus distance from image plane: 9.8”/25 cm
8. Optical design: 13 elements in 12 groups
9. Iris blades: 8
10. Dimensions: 3.27 x 3.27″ / 83.1 x 83.1 mm
11. Length: 3.66″ / 95 mm
12. Weight: 21.2 oz / 600.0 g
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12\\” from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
The 50mm T1.5 AS UMC Cine DS Lens for Nikon F Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
The 50mm has a minimum focus distance of 1.5′. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.
With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won’t need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.
- Standard length manual focus prime lens for F mount cameras.
- Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.
- Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.
- Internal focusing system with 9 lens elements in 6 groups.
- One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
- Lens multi-coating improves light transmission and reduces flare and ghosting.
- Minimum focus distance of 1.5′
- Filter thread diameter of 77mm
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
PRODUCT OVERVIEW
The Rokinon 85mm T1.5 Cine Lens for Nikon F produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been declicked, which facilitates smooth iris pulls.
SPECIFICATIONS
1. Focal Length: 85 mm
2. Lens Mount: Nikon F
3. Format: Full Frame
4. Maximum T-Stop: T 1.5
5. Minimum T-Stop: T22
6. Diagonal Angle of view: Super 35: 19.1 degrees; Full frame: 28.3 degrees
7. Optical design: 9 elements in 7 groups
8. Iris blades: 8
9. Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch and Iris: 0.8 MOD / 32 Pitch
10. Filter thread: 72 mm
11. Dimensions: 3.07 x 3.07″ / 78 x 78 mm
12. Length: 2.94″ / 7.47 cm
13. Weight: 19.8 oz / 560.0 g
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 135mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Nikon F Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 135mm lens produces an 18.8° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 2.6 feet from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens threaded front accepts 77mm filter rings.
24 Hour Rate: $44
Weekend Rate: $77
Weekly Rate: $176
PRODUCT DESCRIPTION
The Novoflex EOS/NIK-NT Lens Adapter allows a Nikon G type (no manual aperture ring) lens to be mounted onto Canon EOS Digital SLR cameras. The adapter is equipped with an integrated aperture control ring for manual exposure control.
SPECIFICATIONS
Adapter
Camera Mount: Canon EF
Lens Mount: Nikon F
24 Hour Rate: $16.50
Weekend Rate: $27.50
Weekly Rate: $66
PRODUCT DESCRIPTION
Metabones Speedbooster Ultrax0.71 (Canon EOS – MFT Mount)
The new Speed Booster ULTRA m43 uses an advanced 5-element 4-group optical design incorporating ultra-high index tantalum-based optical glass. However, the new design is specifically optimized for the Micro Four Thirds sensor and filter stack, and as a result achieves an astonishing level of performance that sets a new standard for focal reducers.
SPECIFICATIONS
Optical
• Increase maximum aperture by 1 stop
• Increase MTF of any lens attached
• Makes lens 0.71x wider
• Patented 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass by Caldwell Photographic in the USA
Electronic
• Auto focus on Panasonic Mirco Four Thirds cameras
• Can be powered either by camera body or by third-party external 5V power source (not included)
• Iris/aperture controlled by the camera body
• Image stabilization (IS) lens support
• Electronic manual focusing (e.g. EF 85/1.2L II and discontinued EF 50/1.0L)
• EXIF (focal length, aperture, zoom range)
• Distance and zoom display on camcorders (requires lenses supporting distance information)
Other
• Detachable tripod foot compatible with Arca Swiss, Markins and Photo Clam ball heads
• Flocking material coating to reduce the internal reflection
Limitations
• EF-S lenses require modification to fit (but third party DX lenses can be used without modification)
• No autofocus support for JVC and Olympus
• AFC (continuous AF) and AFF (flexible AF) modes are not supported
• No 24p video AF
• Video AF may hunt more than a native lens
• No support for in-camera correction such as peripheral shading, CA and distortion
• Designed to cover an 17.3mm x 13mm sensor but not enough to cover Super35 so JVC GY-LS300 needs to have VSM configured to 80%
NOTE: All the above information is courtesy of the www.metabones.com website. Gold Coast Camera Hire is not responsible for any differences in information above and the actual rented product. Gold Coast Camera Hire has taken all reasonable steps to ensure the accuracy of the information provided.
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